We did a glitzy launch for Nick Maris' WINGS multimedia line, flying 24 buyers in small groups by helicopter up and down the coastline and inland over the "HOLLYWOOD" sign before landing on the roof of the Bank of America building, and heading inside for a penthouse dinner. The final day of the show, "my publicist" & press maven Vicki Stearn and I packed up and headed out of town. It was 5:30 and we had a 10:00pm red-eye, so we steered the rental to Chaya Brasserie in Beverly Hills, by Cedars Sinai Hospital: time to review the bidding over a bottle of California cab and a nice steak.
Bowie / Iman: chopstick chicanery |
Out come the Gauloises, and up go the flames.
Bowie - Hollywood, 1948 ? |
Of course Iman was a knockout. But what I recall is the perfectly stylized angularity and natural, theatrical precision of Bowie's presence. Fitted jacket, striking hair, movie-star cheekbones, Kabuki gestures. Most of all, the exaggerated way that the cigarette rested in his fingers as an essential prop: pointing due north at the ceiling as his elbow swept a perpendicular plane through our space, while the smoke - triangular - even seemed to do what he intended it to do.
Bowie - Smoke on Stage |
I tell you, the mime training really paid off!
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