A High Culture Treat in the Hinterlands |
- Don't post about people whom you nearly, but don't actually, meet - and
- Don't post about people whom you line up to meet at a performance (as in, standing in line to get Whitey Ford's autograph at the Hall of Fame induction ceremony in Cooperstown, lining up outside the stage door to meet Jeff Goldblum or Patti Smith, or buying a plate at a fundraiser where your hangdog Congressman is going to appear)
I may or may not be walking the line here, but what the heck:
Elegance, Understatement... Malaise |
Serkin dazzled at the piano seat with three movements of the Bartok Piano Concerto & Orchestra #3. From our third row seats 3/4 to the left, I had a great, close-up view of the underside of Pete's right sleeve, palm and fingertips, as he tickled the ivories - particularly on the very tender and striking 2nd movement, Adagio religioso.
The prospect of meeting piano scion Serkin was interesting to me for a more personal reason: my brother, also a pianist of international high acclaim, had done a residency at Tanglewood three summers ago and, at the time, performed a Brahms sonata with cello - originally for violin - for Peter in the Serkin home. Not a bad ice-breaker, thought yours truly.
Well, Mr. Serkin exited stage left following the Bartok and preceding the intermission. Finished with his own part of the program, the pianist alerted the stage manager he was feeling ill, and he retired before 'we-the-highbrows' could finish hearing the rest of the program and move to the room where Junior Leaguers were pouring the champagne.
Where's Pete? Never saw him again.
At Symphony Hall - L: Virtuoso Serkin (dov'e?) R: Vagabundo Porter |
Tell the teacher we're Serkin' - Serkin' U.S.A. !
No comments:
Post a Comment